Bruno Pinasco se suma a la cobertura para los Premios Emmy® 2014

ENTORNOINTELIGENTE.COM / El lunes 25 de agosto Warner Channel transmitirá en vivo y en exclusiva para la TV paga la 66° edición de los Premios Emmy® 2014, galardón que reconoce la excelencia en la industria televisiva estadounidense y que es considerado como el Oscar® de la pantalla chica. Este año, la conducción estará a cargo del comediante y guionista Seth Meyers (Saturday Night Live, Late Night with Seth Meyers). Como parte de la cobertura exclusiva del canal, desde el domingo 24 Bruno Pinasco, reconocido presentador televisivo y especialista en cine, estará presente en Los Ángeles para brindar información y datos curiosos en exclusiva para la audiencia de Warner Channel. Con cámaras propias y desde la alfombra roja de los Premios Emmy® 2014, Bruno le mostrará al público el detrás de cámara del evento, entrevistará a los famosos durante su llegada y complementará la transmisión televisiva de Warner Channel con todo aquello que no ves en la pantalla. Todas esas imágenes y entrevistas serán difundidas a través de la página web del canal, WarnerEstrenos.com, y por sus las redes sociales. La transmisión desde el Nokia Theatre de Los Ángeles, que contará con el aporte del reconocido crítico de televisión mexicano Álvaro Cueva, comenzará a las 7.30p.m. y también incluirá, media hora antes de la ceremonia, el Pre−Show con el paso de los talentos por la alfombra roja. Como siempre, quienes lo prefieran tendrán disponible la opción de audio SAP. Sobre Bruno Pinasco Bruno Pinasco, reconocido presentador televisivo y especialista en cine, se suma a la cobertura exclusiva de Warner Channel, con presencia en Los Ángeles. Nacido en Lima, Perú, en su carrera profesional también se ha desempeñado como productor y actor de voz, en diversos programas de América Televisión y Canal 9 − ATV. Su primer viaje a Hollywood se produjo en 1999, cuando entrevistó a Pierce Brosnan, para luego realizar diversas coberturas de filmes como Gladiator, Los Picapiedra 2 y The Road to El Dorado. En su trayectoria ha logrado entrevistar a importantes figuras, destacándose por su estilo ameno. Desde el año 2000 conduce el ciclo televisivo Cinescape, por el cual fue distinguido con el premio "Luces" del periódico El Comercio. Además de este proyecto propio, que se acerca a las 15 temporadas ininterrumpidas y que es uno de los más emblemáticos e innovadores de la televisión peruana, en 2013 condujo el show 100 peruanos dicen. En 2014 hace lo propio al frente del exitoso ciclo familiar ¿Sabes más que un niño de primaria? También conduce el programa TEC junto a Chiara Pinasco. Actualmente supera el millón de seguidores en su cuenta de Twitter @BrunoPinasco. En 2013 fue elegido el personaje más influyente en Internet en la categoría "Farándulas y Espectáculos" del "Mapa de Poder en la Red", una encuesta realizada en Perú elaborada por la consultora Llorente & Cuenca. La entrega de los Premios Emmy® 2014 será transmitida para toda Latinoamérica en vivo y en exclusiva para la TV paga por Warner Channel, el lunes 25 de agosto. Con la presentación del reconocido crítico de televisión Álvaro Cueva y las entrevistas e informes de Bruno Pinasco. Ceremonia: 7.30p.m. Alfombra roja: 7p.m. IMPORTANTE: La transmisión contará con traducción simultánea al castellano, pero para quienes deseen seguir las alternativas del evento en idioma original, Warner Channel ofrecerá la opción de audio SAP. #EmmysPorWarner www.warnerchannel.com WarnerEstrenos.com https://www.facebook.com/WarnerChannel @WarnerChannelLA https://instagram.com/warnerchannella https://www.youtube.com/user/warnerchannellatam

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 Inicio > Internacionales | Publicado el Domingo, 03 de Noviembre del 2013
Natalie's demons
Esta noticia ha sido leída 59 veces

Jamaica Gleaner / For nearly a decade, Natalie Cole lived and performed in the shadow of her famous father, Nat King Cole. It was a welcome feeling for a pre-teen and early teenager to know that the man who so many adored and admired was her dad, or to be continuously referred to as, 'the daughter of'.

'The daughter of' became almost a title for her, and kept following her around, almost competing with her own shadow. But sometimes in life, the thing that you are most attached to returns to haunt you.

As the years went by, the quasi-title 'The daughter of' kept coming at her and followed her through public grammar school, prep school, high school, college and throughout her early stage and club career.

Almost all the billings for her early performances contained the phrase, which was understandably used by promoters to attract fans.

But to Cole, it was becoming unbearable and wasn't going down well with her. She started to feel she was being cheated of her own identity.

There was no doubt she loved and adored her father dearly, but having reached a point in life when adolescent was ceasing to be the prefix of woman, coupled with her emerging status as a recording star, she felt it was time she had an identity of her own. She wanted the focus shifted from 'The daughter of' to Natalie Cole.

"I felt as though I didn't have an identity of my own and wasn't sure whether people liked me for me, or because of who my dad was," she was quoted as saying.

In one of her early engagements at a restaurant in Greenfield, Massachusetts, she was greeted as she entered, with a signboard that said, 'Appearing Tonight: Nat King Cole's Daughter'.

She was furious, "Hello? I mean, not even my own name, just "The daughter of," she retorted.

She proceeded to tell the manager that if he didn't take down that damned sign, she wasn't going to perform. But the damage was already done.

The room was full and she knew it was because of that sign. She hated it, but perhaps, it was a dilemma she had to live with for some time.

Naturally, the situation built within young Natalie resentment insofar as it related to performing or recording her father's songs - a regular request from patrons at her shows.

Steering clear of them was also a way of downplaying memories of her father's death, some five years earlier on February 15, 1965.

"It was a very emotional thing to me. I resented being asked to sing his music. I wanted to sing what-ever I wanted to sing. I couldn't understand all the comparing, and furthermore, the last thing I felt capable of doing was filling my father's shoes," she said in her autobiography.

FIGHTING GUILT

At one point, Cole became tremendously guilt-ridden by the fact that she was supposed to be entering grad school to pursue her masters in psychology but she really wanted to pursue music.

She loved what she was doing, but didn't understand why she was doing it, other than people kept telling her that she had talent and should be a singer.

The pressures kept mounting. Her musicians thought that a career in music would be the most natural thing for her. In the end, she struck a bargain with herself, deciding to perform for a year, and then hit grad school in the fall of 1973.

The amazing twist to all of this was that by 1991, after a dazzling recording career that began in 1975, Cole turned around and displayed quite the opposite sentiments to those she had two decades earlier concerning her father's songs.

Becoming more mature, and faced with the reality that she was unable to say goodbye to him (she was at boarding school at the time), Natalie now felt a desire for some kind of closure.

Perhaps the best way was to do an album of his songs.

"I was thinking about it from the emotional place of a little girl, who was getting a chance to do something for her father, as well as a chance to say, 'I love you,'" she reminisced in that autobiography.

The album, Unforgettable , in which she covered 22 of her dad's songs, told the story.

It was her biggest success, selling some five million, topping the Billboard, pop and jazz charts and winning for her, one of her seven Grammys.

MEGASTAR

'The daughter of' had transitioned into a megastar and was no longer shackled by that title, and so it no longer mattered.

One of the major demons that haunted Cole throughout her life - not being able to say 'goodbye' or 'I love you' to her dad - was laid to rest with the album.

The other major demon in her life, apart from drugs, was to be told by her mother that her father left nothing in his will for her and her siblings.

Natalie's mother, Maria said he left everything to her, and after her death, they would basically get everything that was left.

The understanding was that Maria would care for her young children. The issue concerning the viewing of the will came up occasionally, but to no avail.

One day in June 1990, the siblings were called to a meeting at a law office in Century City, to sign off on papers to authorise tax payments for a trust fund, and it was there that the true story began to unfold.

Cole was allowed to see her father's last will and testament for the first time. Prepared in 1960, the document made provisions for two trusts: one designated for Maria, and the other for all his children.

Another demon that had haunted her was laid to rest, and the burden that her father had forgotten her was lifted.

broyal_2008@yahoo.com





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